Death Star Designer Game
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Screenshot of the gameDeath Star Designer was an online promotional game for. It allowed the player to create their own version of the, with customizable parts including hull size, weaponry, color and so on.
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While some of the customizable parts were included in the game for fun (such as ferris wheels or ), and some for added power such as the, all the new information on the site was potential continuity, and as such was included in the.On, the site went offline, and has not come back online to date.Appearances.
'Don’t be too proud of this technological terror you’ve constructed. The ability to destroy a planet is insignificant next to the power of the Force,' declared Darth Vader, to a pigheaded Admiral Motti after he gloated about the undefeatable power of their new battle station in A New Hope.Although the warnings of the Dark Lord did ultimately ring true and despite several subsequent annihilations, the Empire’s intimidatingly designed moon-shaped base continues – as will be reinforced in – to be a looming threat in the Star Wars universe.
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This iconic symbol of mass destruction has, in various guises and stages of construction, made appearances in all but two movies to date, an unstoppable force to be reckoned with.' The sets were really kind of simple but complicated and thus believable,' says Oscar-winning set decorator Roger Christian, who worked on the original interiors of the Death Star at Elstree Studios. 'It looked like a functioning Death Star. Production designer John Barry wanted it darker so that it was almost black – to express that kind of evil look.
It was just perfect in its simplicity: in a way like Albert Speers’s architecture design in Germany, which was simple but very compelling when you looked at it. That was kind of an inspiration,' he says, referring to the imposing design work of Hitler’s infamous chief architect.In contrast to the lived-in look of the Millennium Falcon, which Christian constructed using aeroplane scrap parts, the Death Star had a different approach and aesthetic. 'It wasn’t like the used, old Tatooine world or the Falcon world, it was a much more engineered and precise world. We had to find anything that could be much newer looking; more like what was accomplished in Stanley Kubrick’s 2001.' The set decorator-turned-filmmaker has fond memories of working with production designer John Barry. 'His talent was to understand what visually would express a character’s attitude.
Unlike Dark Ages and Masquerade, Victorian Age was originally released to support only one edition of the game.With that in mind, this Style Guide posits a few “what-ifs?” regarding how this era might be different if treated from a 1st, 2nd, or 4th edition perspective. Whatever your experience level in writing roleplaying games, you will find this guide useful for finding the appropriate tone for Victorian Age. We have also chosen to return to the original Vampire naming convention as found in the 1st, 2nd, and 4th editions of Vampire: The Masquerade. Vampire the masquerade age background images.
It was a huge set and expensive so we used this special back-forming machine and John found that he could back form plastic panels and stick those up so it had a kind of uniformity.' The Death Star’s trash compactor set proved to be another challenge for Christian. 'We built the pit and filled it with water and then I realised we were going to have the actors in there laughs! So I couldn’t put all the heavy scrap that looked really good in there as they would’ve got hurt and it would’ve sunk because it was too heavy,' he reveals. 'In the end I got the plasterer’s shop to make them into polystyrene.
Fashion Star Designer Game
The problem was whenever polystyrene breaks you see the white, so we also had to inject it so it wouldn’t spoil the shot.' With Rogue One hinging on the recovery of the plans to the battle station, all eyes will be on how successful Gareth Edwards and his creative team have been in replicating the now iconic 40 year old design.' So far, with what JJ Abrams achieved in, they’ve been very reverent to the originals so it will certainly be interesting to see,' enthuses Christian. 'When I was on the set of the original it was just awesome and when you see it on film it’s believable. To me that’s why the design endures: it doesn’t look like a science fiction set.'